KONFLIK BATIN PERAN UTAMA DALAM NASKAH DRAMA SAMPEK ENGTAY KARYA N. RIANTIARNO KAJIAN PSIKOLOGI SASTRA

Authors

  • Hanna Zalfa Mulyawati Universitas Muhammdiyah Jakarta
  • Wika Soviana Devi Universitas Muhammadiyah Jakarta

DOI:

https://doi.org/10.36815/matapena.v5i02.1902

Abstract

This study aims to describe the inner conflict in the main role of Engtay, in the drama script Sampek Engtay by N. Riantiarno using Sigmund Freud's Theory. The method used is a qualitative descriptive research method. The data used in this study are dialogue sentences, monologues delivered by the main character in the drama, data collection techniques using library techniques and using corpus data tables. From the results of this study, there are several forms of inner conflict experienced by the main character, including pain, disappointment, confusion, anxiety, failure. These factors cause the main character's inner conflict with Raden Mas Darmaji as his father, Ray Retno as his mother and Sampek. There are three styles used by the main character in overcoming inner conflicts, namely the fox style, the mouse deer style, and the turtle style.

Keywords: Main Character, Inner Conflict, Literary Psychology, Drama, Sampek Engtay

 

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Published

2022-12-21 — Updated on 2024-05-16

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